Hundreds of years of precipitation have created Foshan culture
On April 7, the gongs and drums and music in front of the Foshan Ancestral Temple were roaring, and the annual Beidi Festival kicked off. Spring Festival ceremony, Northern Emperor tour, reciprocating gods and performing operas… This ancient building ancestral temple, which has been passed down for nearly a thousand years, is filled with citizens who come to pray for blessings.
“Understanding the history of the ancestral temple is equivalent to understanding most of the history of Foshan.” In the view of Ling Jian, director of the Ancestral Temple Museum, as a national key cultural relic protection unit, the ancestral temple is known as the “Palace of Oriental Folk Art”. It not only displays many precious works of art, but also the spiritual belief of Foshan people and the soul of Foshan. Babaylan 1990 cloth draw
Produced by Foshan ReporterBabaylan 1990 cloth drawSite Site ShopKomiks 1960 witch cloth drawShare Xie Hong Li Cheng
Text/Jinyang.com Reporter Ouyang Zhiqiang Photo/Ancestral Temple Museum, Foshan Archives 1
First, there was the Northern Emperor before the ancestral temple
During the Yuanfeng period of the Northern Song Dynasty (1078-1085), a craftsman dug the first wooden stake of the “ancestral temple”. In the past thousand years, this building has undergone many renovations and expansions and finally becomes the “Palace of Oriental Folk Art”. “When it comes to the ancestral temple, we have to mention the Northern Emperor. There is the Northern Emperor first and then the ancestral temple.” Liang Guocheng, an expert committee member of the Foshan Intangible Cultural Heritage Protection Center, said that the Northern Emperor in the ancestral temple is called the Water God in Taoism. Because Foshan is located in the water network area, in the past Cinema 1950 witch cloth draw was often affected by typhoons and floods, and farming had a great impact and people’s lives were miserable. So, the people in Foshan specially invited the protector Beidi to pray that the water god would give water (meaning to regulate the water volume) and make good weather for the year.
After the demise of the Southern Song Dynasty, a large number of gentry in the Central Plains moved to Foshan, Lingnan, bringing the text of the Central Plains.With advanced technologies such as chemical and smelting, Foshan Town at that time relied on the transportation of rivers such as Dongping River and became a major city for light industry, becoming one of the most economically developed regions at that time, equivalent to Shanghai today.
“Relying on water transportation, Foshan people lived a good life. The folk belief of Beidi was Komiks 1960 witch cloth draw gave the people at that time a large-scale temple to serve Beidi was built on the original foundation. The Ancestral Temple in the early Ming Dynasty became the largest Taoist temple in southern China at that time.
Liang Guocheng believes that the faith of the Northern Emperor represents the spiritual state of Foshan people. As the saying goes, “There are gods three feet above the head.” Foshan people are particularly simple, especially abide by the rules, and pay special attention to commercial credit under the faith of the Northern Emperor. The faith of the Northern Emperor is the root left by the ancestors of Foshan people from generation to generation. This mental state has produced Foshan culture and has been passed down from generation to generation.
2
Wanfutai creates an acoustic miracle
Wanfutai in the ancestral temple is the oldest and best preserved ancient stage in South China. There is a wide stone paving site in front of the stage, with two-story galleries on both sides of the east and west for viewing dramas. Liang Guocheng said that the predecessor of Wanfutai was named Huafengtai. It was built in the 15th year of Shunzhi in the early Qing Dynasty. It was renamed Wanfutai on the 60th birthday of Empress Dowager Cixi in the Qing Dynasty (all below use “Wanfutai”).
In the mid-Ming Dynasty, the first Cantonese opera guild was established at the Qionghua Hall on the bank of the Fenjiang River in Foshan. Since the mid-Qing Dynasty, all Cantonese opera troupes have gone to Wanfutai to perform first every time they go out to perform. Please read the Northern Emperor to see if the level is not up to standard, which is equivalent to a smooth and smooth performance.
“After the years of precipitation, Wanfu Platform has become an authoritative and sacred stage for Cantonese opera. Only after withstanding the censorship of the Northern Emperor can the troupe make a living, otherwise there will be no qualification.” Liang Guocheng found that the stage of Wanfu Platform faces the bronze statue of the Northern Emperor, with a stage of 2.07 meters high, and the distance between the eyes and feet in the bronze statue of the Northern Emperor is also 2.07 meters.Komiks 1960 witch cloth draw meters, plus the bronze statue pedestal of 1.6 meters, generally speaking, the eyes of the performers on the stageThe eyes just looked at the Beidi’s eyes, which showed that the Beidi was reviewing his performance, so the performers would perform more attentively.
Komiks 1960 witch cloth draw Liang Guocheng said that some people would think this is superstition, but in modern times, not only Guangdong, but also the most popular Cantonese opera masters in the world have started from stepping onto the stage of Wanfutai. As long as they are engaged in Cantonese opera, everyone wants to perform at Wanfutai. When it comes to Wanfutai, no one dares to blaspheme.
Wanfutai, which has a history of more than 300 years and is decorated with brilliant wood sculptures, stands majestic. In Liang Guocheng’s view, its architectural art is also very sophisticated. Liang Guocheng said that in 2002, a musician from Guangzhou came to Wanfu Station to perform and found that the sound effect without an electronic amplifier was better. Later, a professional team found that the architectural design of the entire Wanfu Station was a sound field structure. The sound of the sound from Wanfu Station to the two corridors on both sides, and then to the href=”https://funnybookish.com/”>Komiks 1960 witch cloth drawThe Lingying Arch forms a natural overall stereo surround echo wall, so that even the last row can clearly listen to the sound, ensuring that the Babaylan 1990 cloth draw proves excellent performance acoustic effect. Liang Guocheng pointed out that without modern technological means, Wanfutai created an acoustic miracle. Unfortunately, people nowadays like to use loudspeakers to put Wanfutai firstProgressiveness is buried.
3
Repair and protection of cultural relics is still the focus
“Understanding the history of the ancestral temple is equivalent to understanding most of the history of Foshan.” Ling Jian, director of the Ancestral Temple Museum, said that the precious culture accumulated by hundreds of years of history must be protected and promoted. Over the years, his work has focused on the repair and protection of cultural relics, the improvement of cultural connotations, the development of cultural products, and the streamlining of management systems.
As an important base for the martial arts lion waking of Foshan, the Huang Feihong Memorial Hall and the Ip Man Hall were both built in 2001. In 2018, the Ancestral Temple Museum successfully combined modern technology with history and culture, and completed the upgrade and renovation projects of the two Komiks 1960 witch cloth draw. Nowadays, tourists can learn the routines of Hongquan martial arts in the Huang Feihong Kung Fu action sound and photoelectric playroom, play with Lingnan lions in human-computer interactive games, and learn Babaylan 1990 clothes draw Cinema 1950 witch cloth draw Wing Chun moves in the Murenchun interactive experience area.
Now the thousand-year-old ancestral temple has a new look – the Northern Emperor’s birthday is empty alleys, the children gather together, the Cantonese rhyme on Wanfu Platform is melodious, the Lingnan lion show is wonderful, the “Foshan Youyou” cultural and creative products make the cultural relics “live”… Ling Jian said that the Ancient Temple Museum, known as the “Palace of Oriental Folk Art”, is known as the “Palace of Oriental Folk Art”. The ancient building complex of the museum has the typical characteristics of the Pearl River Delta and is a landmark building that shows Foshan’s profound historical and cultural heritage.
For such a representative building complex, the Ancestral Temple Museum spares no effort to protect ancient buildings. In 2010, after completing more than 3 years of comprehensive renovation and external environment renovation of Cinema 1950 witch cloth draw for more than 0 million yuan, the entire ancestral temple ancient building complex was safer and more stable, beautiful and beautiful, blooming in the past.color. During the renovation process, the ancestral temple insists on repairing the old as it is, respecting traditional techniques, such as replacing the commonly used chemical pigments in modern times with traditional mineral pigments, re-coloring the gray plastic, and restoring a large number of wooden components and ceramic plastics, etc. are all like Cinema 1950 witch cloth draw.
In addition, the “Chongzheng Shexue” site display protection project is underway. These repairs and protections are all about replacing the old appearance of the ancestral temple buildings on the premise of respecting history, and also allowing Lingnan architectural culture to be protected, preserved and continued to develop. Ling Jian said that the museum’s primary task is not only to repair and protect the ancient building complex of the ancestral temple, but also to deeply explore, organize, research and publicize the profound historical culture of the ancestral temple. At the same time, to better pass on the intangible cultural heritage of the Foshan ancestral temple’s long history, “This is also one of our important missions.”