Jinyang.com reporter Zhu Shaojie Xu Xueliang
Recently, the “Speaking the Voice of the Times and Forging the Soul of the Nation – Pan He Art Seminar” was held at Guangzhou Academy of Fine Arts. More than 50 artists and critics from both inside and outside the province attended the seminar. The guests discussed the creative language, theme significance, artistic style, and educational philosophy of sculptor Pan He. They hoped to gather forces from multiple parties and Cinema resources to conduct a comprehensive study of Pan He and his works, and called for the launch of the research on “Lingnan System” sculpture.
” Mr. Pan from Hong Kong to the People’s Academy of Literature and Arts, and then to his exchanges with the Lingnan School of Painting, contact with Western sculptures, local sculptures, etc. are worth studying. He is the pride of Guangdong and the most worth studying sculptor in Guangzhou Academy of Fine Arts.” Li Jinkun, vice chairman of the China Art Association, president of the Guangzhou Academy of Fine Arts, president of the Guangdong Academy of Painting, and chairman of the Guangdong Academy of Arts, said at the meeting that Pan He’s sculpture works have become the memory of a region and a country. The Guangzhou Academy of Fine Arts will use more power and resources to conduct comprehensive research on Pan He and others and preserve this valuable academic resource.
The destiny of the nation is integrated into the works
To this day, Pan He, in his 80s, has been committed to sculpture art creation for nearly 70 years, has been engaged in art education for more than 40 years, and has created more than 100 large-scale outdoor sculptures, with works spread across more than 60 cities at home and abroad.
Pan He has won many awards and titles. He is the winner of the first Guangdong Lifetime Achievement Award and the winner of the Lifetime Achievement Award of China’s Cinema Art Award. In the eyes of many artists and critics, he is a modern sculptor who “produces the voice of the times and forges the soul of the nation”. The mark of the times and national thoughts permeate every work. In the view of Feng Yuan, a professor at Sun Yat-sen University, there was an important proposition in the Chinese literary and artistic circles in the 20th century: “How to transform Western modern culture into national culture.” He believes that Pan He consciously understood the cultural mission through his personal cultural awareness and put into action to complete artistic practice, giving this Babaylan Proposition 1Komiks is a good answer. Its series of works represent or shape the key nodes of historical development since the founding of New China and are closely linked to the pulse of the entire era. Li Ming, former dean of Guangzhou Academy of Fine Arts, believes that from “When I Grow Up” to the later “Hard Times” and “Will I Take Sadness”, to the later “Zhuhai Fisherman”, “Battle to Pull the Land”, “Memorial Image of Liberation of Guangzhou”, etc., Pan He uses his memory, cognition and conscience to embrace the times and principles, and let his creations be closely connected with the times.
American artist Wu Xinkun also said that Pan He’s works are rich in connotation, believing that his works reflect historical stories, humanistic emotions, and people’s emotions towards social life, and integrate the destiny of the country and nation into the work Babaylan. “In “Hard Times”, no one can surpass Pan He’s portrayal of the joy and expectations of the future after the old farmers are divided into the land. It is a work of the times,” he said.
“The key to whether a person has nationality lies in his thoughts rather than aesthetics. Mr. Pan He’s aesthetic is extremely foreign, but his thoughts are absolutely national.” Pan Fen, son of Pan He, said that the times gave Pan He a special artistic mission, allowing him to convey national thoughts with the ultimate Western aesthetic taste in the torrent of the times.
Closely related to the Lingnan School of Painting
Pan He studied in Hong Kong since he was a child. At the age of 14, he went to Foshan, Guangdong to study figure sculptures; at the age of 19, he went to Macau to study, met the Italian sculptor Xia Gang and his wife, and also met well-known statue masters such as Gao Jianfu, Yang Shanshen, and Yu Ben. Critic Liang Jiang said: “This context is the same as that of the Lingnan School of Painting. He has a very close relationship with the Lingnan School of Painting.” Liang Jiang believes that Pan He’s transformation of local factors into historical narratives of the entire nation is an important aspect that everyone should pay attention to when studying regional art history and regional art. He gave examples of Pan He’s Lu Xun portrait sculpture “You’re stupid”, and believed that the title of this work has a very obvious Guangdong-style feature, connecting the Guangdong Cantonese cultural circle. His work “The Cow of the Land” is also an important work in which local factors participate in mainstream national discourse.
Yin Shuangxi, a professor at the Central Academy of Fine Arts, also said: “Mr. Pan He’s works are at every historical node.”All can resonate and respond, and his works can capture the most important moments of Babaylan‘s theme, plot, historical development and the characters’ psychological state, and use sculptures to turn the moment into eternity. ”
In addition, Yin Shuangxi mentioned that a sculptor can leave a city mark in a city in his life, and the people of this city will always remember him, and Mr. Pan He left his landmark works in Zhuhai and Shenzhen, two important cities in Guangdong. The spirit expressed by Shenzhen’s urban landmark “The Breeding Cow” has not only become the spirit of Shenzhen, but also the spirit of reform and opening up.
Pan He is good at capturing details and refining core characteristics. Most of his classic works come from wonderful moments that touched him. He created “When I Grow Up” in the early 1950s Babaylan” was a creation that he was inspired by the rural teachers after participating in the “land reform”. It is said that Chairman Mao gave a high evaluation. This work also represented China in the International Mother’s Day Conference held in Switzerland and the 5th World Youth Festival held in Poland, which caused a sensation.
CinemaTo this day, Pan He has recorded the century-old development history of China’s modern and contemporary era with sculpture art, and has also embodied the spirit of China’s reform and opening up. His outstanding contributions to socialist urban construction and cultural construction are obvious to all, beautifying the urban space and enriching the urban connotation.
Excellent in artistic form
From the form to the theme, Pan He’s sculpture art has a distinct personal style and an irreplicable uniqueness. “This is the embodiment of the artist’s wisdom and personality, and it is also a precious quality and pure realm.” Huang Qiming, deputy secretary of the Party Committee of Guangzhou Academy of Fine Arts, believes that Pan <a As a sculptor who grew up with the Republic, Mr. He always revolves around the melody of the country and the times, but in art forms, he often creates new ideas and finds a perfect combination between form and theme.
The Hard Years, created by Pan He in 1957, has become one of the must-have works for various art appreciation materials for primary and secondary schools and century-old art. This classic work has always been interpreted as a firm belief in expressing the hard environment of the Red Army. Previously, Pan He explained that the work did not express the Red Army, but the Hainan guerrillas. But no matter what, the work reflects the hardship in that work. href=”https://funnybookish.com/”>CineIn the age of ma, the revolutionary ancestors’ belief in life and life directly conveyed an optimistic spirit. “The work conveys a sincere belief in human nature. No matter how hard or difficult life is, there are few deceptions and negative existences, and still maintains a belief in life and the future.” Yin Shuangxi believes that Pan He closely connects the fate of art with the fate of a country, an era, and a nation. The work has a strong thematic nature, but his thematic nature is not rigid and symbolic, but grasps the characteristics of art, so that the sculptural language and plot and theme are balanced, attracting a wide audience.
Exploring Lingnan sculptures through Pan He
In addition to independent creation, Pan He also has an inescapable identity that he is a teacher. From a lecturer at Guangzhou Academy of Fine Arts to a tenured professor in the Sculpture Department of Guangzhou Academy of Fine Arts, he has been teaching for forty years and has cultivated batches of outstanding artistic talents with his unique educational philosophy.
The American artist Wu Xinkun became a graduate student of Pan He during the first national graduate student recruitment in 1978. In his impression, Pan He’s usual teaching does not emphasize basic skills and techniques, but rather focuses on ideological education. “He himself is an aesthetician and thinker. What he said has a great influence on me. For example, he said, “Not having any habits, no harm, no real.” He believes that literary and artistic works should not be perfect, and its shortcomings are its personality.” Wu Xinkun recalled.
Pan Fen revealed that Pan He’s educational philosophy is related to his learning experience. Pan He has always had a very unique personality in his studies. He believes that the teacher is not technically speaking, but ideologically speaking. He believes that the thought is ten thousand times stronger than the technique.
Pan He’s sculptures have far-reaching cultural significance for contemporary art. At the seminar, participants proposed that we should gather forces from multiple parties to collect and organize resources and conduct a comprehensive study of Pan He and his works; Babaylan hope to build BabaylanThe theoretical research team, theoretically sort out the development context of sculpture and promote the development of disciplines. In the process of transformation from tradition to modernity, Guangdong art has always been ahead of the trend, led the times, and followed the path of change. We should pay attention to in-depth research on the Lingnan School of Painting, and conduct vertical and horizontal comparisons of artists such as Babaylan, and in-depth discussion of Lingnan sculptures.